Laurel and Hardy Central

Letters to LHC     We at Laurel and Hardy Central love email - so send us some.  Praise us, criticize us, talk about your love for the Boys. 

    Any email sent to Laurel and Hardy Central is considered eligible for publication on our site.  We reserve the right to edit.

     Use the links below to access our letters from the past.

   

stamp

EMAIL US!
lhcntrl@aol.com

Letters 2005 - 2006
Letters from the Past 1
Letters from the Past 2
Letters from the Past 3

STANLIO E OLLIE

L&H kids

March 2007

Hi:
 
     Came across your interesting website featuring these immortal artists.
 
     During 1938 I had the pleasure to participate with a talented group of youngsters performing for various clubs. I was Hardy and my brother was Laurel. We traveled all over Italy until the winds of war became a factor.
 
     I am enclosing a photo of one of our appearances.
 
Jonathan



THE BOYS GET PLASTERED

     November 2006

Item in question     I thank you in advance for taking the time to read what I'm pretty sure will be an all-too-long email, but for what it's worth, here goes.
 
     I am in possession of a plaster bust - more of a hanging plaque, actually - of the boys that, if I believe what has been told to me, may be rather rare. It is the validity of the story that I seek comment on.  I acquired this large and weighty bust about twenty five years ago. I first spied it about five years prior hanging on the wall of a home at which I was conducting some business. Being a lifelong fan of L & H, I asked the owner about it. This is what he told me.
 
     Back in the day, he worked for Hal Roach Studios. He said three busts were commissioned: One for Stan, one for Oliver, and one for Mr. Roach. What I was looking at was the original mold.  I asked him if he was interested in selling it, and was politely turned down. I told him if he ever changed his mind, let me know. Five years later, he did just that.  The bust measures 23 1/4" x 29" and has a relief of nearly 6". It weighs 43 pounds. The back clearly shows the finger strokes used to mold the clay. It is blended with straw.  The front captures the boys' essence better than anything I've seen, both in their traditional derbys and impish smiles.
 
     So, my question of those who know far more than I: Is what I think I have in fact what I have? What do you know of what I've described?
 
     I will be indebted for any enlightening comments you may make.
 
    Thank you again for taking the time to consider the contents of this inquiry.  You have permission to print my original letter, pictures and my email address on your website. I'll keep you updated on any info it may generate.

Don Martin
thtrcrtc@yahoo.com

Editor's note:  Readers, any ideas?  You may email Mr. Martin at the address listed above.

GOOD OLD DAYS

March, 2006

     Since I grew up in Inglewood, California, I saw many of the Films that Hal Roach produced.   Early in 1962 I had the occasion to visit the Hal Roach lot in Culver City and wander about the lot.  The occasion was to preview  the auction of what was left of the studio.  I wish I had stayed the following days and purchased some items from the lot.  I was especially fond of Laurel And Hardy and also the Our Gang Comedies.  I still have fond memories of that long lost time.  In high school I had the occasion of being in "Brigadoon" with Gene Kelly and Van Johnson and have fond memories of what the old lot at MGM  was like.  I also remember the old back lot  that MGM had about a mile or so south of the main lot.  It had a lake and other  out buildings. Ohh for the good memories.
 
Tom Owens
Cypress Calif.

AND A GREAT BIG HELLO TO YOU, TOO!

August 21st, 2005

A Great big Hello to Laurel and Hardy Central:

     I just found your site and I must tell you it is a wonderful site!! Thank you so much for such a fine tribute to L and H. I have been a lover of ‘the boys’ since I was ten years old and my father took me to see Way Out West at a L and H revival at City Center in NYC .  I started collecting the Blackhawk 8mm and Super 8 prints not long after that. By the time I was in High School I had a lot of the boy’s films. My buddy Barry who was thin and I was heavy so Stan and Ollie where role models to us, we would dress like them and imitate them on occasion much to the chagrin of our teachers. Once I graduated college I sort of lost touch with L and H and moved on to other things. Now a middle-age man I have rediscovered the boys and have started collecting their films on DVD. I remember how once they brought such laughs and warmth to my childhood. This brings me to the main reason I am writing.

     It is no secret the discontent L and H fans are feeling about Hallmark who now own most of the L and H collection and the horrible versions they have been releasing. They are doing the same with the Our Gang Comedies which is a whole other story. It is a shame that American film classics (like L and H) get more attention and love outside of the U.S than in it. I just bought the Universal Laurel and Hardy 21 Volume Box set which is only available in Europe from Amazon UK (region 2). This set is EVERYTHING people are saying it is. It is a complete film history of the boys which starts with the boys early silent films (some solo efforts) and goes though the Hal Roach Features. All the prints are restored and of pristine quality. It is a truly beautiful set and a worthy tribute to the boys. There are some missing films (I assume for copyright reasons) such as Babes in Toyland, The Devils Brother, Bonnie Scotland and Flying Deuces.

     To accommodate these DVDs I bought a region free DVD player off Amazon, which is the only way to go if you really want to collect. The DVD player was very cheap, plays beautifully and is well worth the investment. As a side note if you have a region free player all the DVDs in the Universal Box set are also available as single discs, in case you don't want to spend all the money at once or just want a few of the films. If you love Laurel and Hardy this is the only way to go! Anything to screw Hallmark and the corporate monster!! Why did they buy these great films just to sit on them and distribute half-A prints!!!

Edward R. Fernandez

MR. LEVITY KNOCKS ON OUR PHONE

      In a recent news item, we quoted (without attribution) a newsgroup post written by Mr. Levity, who is well known in the L&H Usenet group.  We were pleased to hear from him a few days later.

July 20th

Hello Laurel and Hardy Central,
 
     What a surprise it was for me to see one of my L+H ng posts on your welcome page under the heading: DON'T BELIEVE EVERYTHING YOU READ ON THE INTERNET. Well, hey, you know how it is when you read stuff and want to share with other Laurel and Hardy buffs. Actually on the TCM forum they apologized for the mistake. They say they really do have an upgraded transfer of WAY OUT WEST but some guy at the station pulled the old broadcast master from the April first showings. Who knows. We shall see. Hopefully there really is a better print source for another broadcast and there will be more prime time Laurel & Hardy showings soon.  Apparently TCM made a digital broadcast master of WAY OUT WEST from a better 35mm print. If this is true, why would TCM pay for this and not Hellmark? Anyway, Laurel and Hardy will always be most welcome on TV as far as I am concerned. You realize the tapes TCM have from Hellmark are 30 year old analog tapes. TCM are used to broadcasting digitally mastered tapes. If any of the films look decent as A CHUMP AT OXFORD does, it doesn't compare with the crisp clear image I get from my Kinowelt DVD from restored 35mm pre-print materials. I am delighted to see Stan and Ollie back on TV , airing on TCM where they belong. Unfortunately Laurel and Hardy are  still getting the shaft through Hellmark with careless treatment and outright refusal to properly restore these classics.

    Your site is one of the best, I regularly visit and read the interesting articles and reviews. Keep up the great work guys!
 
    Best
   Mister Levity

MEMORIES OF THANKSGIVING

July 4th, 2005

Hi,

     I just found your website - WOW it is GREAT!    I have been an L & H fans for the last 30 years give or take (I am 43).  I started collecting Blackhawk prints on Super 8 and then of course I got the Holy Grail of Laurel and Hardy films on Super 8, BABES IN TOYLAND,  from England.   In the 1980's I actually exchanged Christmas cards with Hal Roach and to this day I truly love Stan and Ollie.    My most cherished memories of growing up here in Long Island is of Thanksgiving Days when I would watch The Macy's Thanksgiving Day,  then switch the channel to watch at 12:30 or 1pm MARCH OF THE WOODEN SOLDIERS.    In fact those memories inspired me to write a book recently published "MACY'S THANKSGIVING DAY PARADE"

     KEEP UP THE GREAT WORK GUYS! 

     Warmest regards,

     Bob Grippo  

WE KEEP 'EM COMING BACK FOR MORE

Hi Guys,

        This is a great site that I didn't even know about until about 3 weeks ago. I just keep coming back to read more and more. I agree with everything you have to say about the new Hallmark DVD's. I am happy to have them but they should have been better. I just recently bought Jitterbugs and Dancing Masters on DVD from a guy on E-Bay. They are so rare I thought I should go for it. I didn't pay much so I the sorta okay picture quality is better than not ever getting them at all. The sound is good. I don't think they have ever been out at all. I don't think I have ever seen Dancing Masters before in my entire 53 years. Fox should take there 6 L&H films and put them out like Universal did with the Ma and Pa Kettle films on DVD.

Lyle

TURN ON, TUNE IN, HEAR THE SOUND DROP OUT

    Your website is correct; you are the central of all things Laurel and Hardy. Anyone who can quickly review their April Fools marathon or review A-Haunting-We-Will, is a dedicated fan.

    In all my years watching TCM, I have never witnessed a sound dropout in any film presentation. Was I watching a “professional broadcast station” or did I accidentally turn on Public Access TV?

    And why twenty-four hours of Laurel and Hardy? Why not “Laurel and Hardy Stars of the Month?” Every Friday could have been reserved for some great Laurel and Hardy films.

    For now, I’ll check your excellent website, look at some of my Laurel and Hardy videos, and check out their newest DVD release: Utopia: The Director’s Cut.

    Keep up the great work,

    Steve      
    
    PS: Did you notice, a sound dropout occurred at the end of Sons of the Desert when Oliver Hardy took up a drinking glass and blew in it, making the sound of a horn on a ship. It’s one of the most creative gags in the film. Too bad, you couldn’t hear. One word for TCM: No Christmas cards this year!!!

SHORT AND SWEET

February 22, 2005

     OK guys, now you've done it!

     This may be the best website I've ever seen (and I'm a computer professional of 30 years). I cannot stop reading it, and it is of such high quality that I forget I'm reading website content and not the greatest book ever written about The Boys. I am hooked for life, and will make a contribution some day.

Chip

SHORT AND SWEET, PART D'OH

January 28, 2005

I've been a fan since a child and just to see their faces - cheers me up, such comical genius and gentle enfusion of their spirts make me happy.

John M.


Copyright © John Larrabee, John V. Brennan 2005. All Rights Reserved.

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