Laurel and Hardy Central

The Boys
"Into the distance, and into memory:
We will never see their like again."
Robert Youngson, Filmmaker

LAUREL AND HARDY CENTRAL
SITE GUIDE
(followed by a tedious history of this site)
(Updated 04/12/05)

     Laurel and Hardy Central is a frames site.  Although frames have fallen out of favor on the Internet, we still feel it is the best way to present our material. Click a button on the left-hand menu, and a page pops up in the main frame.  Simple, easy and effective.  Now, about that left-hand menu...
 

MENU

     Laurel and Hardy Central is divided into several sections, each with its own special flavor (but we're out of gooseberry).
 

INTRODUCTORY STUFF

THE FILM REVIEWS

     This is the heart of our site.  We devote a full page to to each and every film Laurel and Hardy made together.  Most of the individual pages have our personal commentary on the film in question, and in the case of the films that are lost to history, we still provide as much information about the film as we feel necessary.  The films are divided into four categories:
 

THE HAL ROACH WING (Re-opening soon)

     The Hal Roach Wing was our first major addition to the site.  Though it is fully integrated into our main site, we call it a "wing" because it is not devoted to Laurel and Hardy but rather to Hal Roach, the man who produced most of their films.  And not only to Mr. Roach, but to those people who worked under him on the Laurel and Hardy films.  We have the Laurel and Hardy Stock Company Hall of Fame, which is devoted to our favorite Laurel and Hardy co-stars. We also feature articles on some of Roach's other famous comedians, such as Charley Chase and Our Gang (aka The Little Rascals).

THE LHC MUSEUM (Closed for Renovation)

     The Laurel and Hardy Central Museum was our second major addition to the site.  Again, it is fully integrated into the main site.  We wanted a place where visitors to this site could share pictures of Laurel and Hardy memorabilia.  In the Museum, we present several virtual walls with framed pictures of memorabilia.  Each picture opens up to a fresh browser window with a much fuller picture of the item(s) and some information about it/them.  We hope to expand this section often, as often as people send us interesting pictures of fun Laurel and Hardy stuff.

THE FUN FACTORY (Re-opening Soon)

     The Fun Factory is a catch-all for many standalone sections of our site.  You can find pictures, DVD reviews, FAQs, fun facts about the Boys and book reviews.  Check it out.  It's... well.... fun!

GIFT SHOPPES

     Our third major addition to the site.  For several years, we kept this site completely non-commercial.  But when Hallmark released their first Laurel and Hardy DVD in America, we decided to offer it through an association with Amazon.  Once we did that, we figured that people might be looking for other stuff too.  So we opened up several Gift Shoppes, devoted to DVDs, books, VHS tapes and Compact Disc.

     We also decided to offer posters through an affiliation with AllPosters.  So if you are looking for that special present to offer a loved one, you can browse through our shops.

OTHER MENU ITEMS

    On our lefthand menu, we also include a separate link to our Links page, where you can find links (duh!) to many other pages about Laurel and Hardy, as well as links to sites about other comedians and movie-related things, as well as some of our own personal favorites sites.  You can also go to our Letters section, where you can read what other people have written to us about.  We also a handy "Email Us!" link so you can send us your thoughts no matter where you are on our site.  There is a link to the Accolades section, which is a list of many nice things people have said about our site.  We never get tired of that page.

    Finally, there is a link to "Frames", which should only be used if you happen to come to the Menu through a search engine and are not seeing the whole site but just the menu.  Although we try to make each page on our site fully navigable to any other major section of the site, Laurel and Hardy Central is best seen as a frames-enabled site.  In our fully-framed site, the menu is on the left, and individual pages appear in the main section in the center.
 

NAVIGATING THE SITE

     There are many ways to navigate this site, though the easiest way is using the lefthand menu.  On each individual page, there are buttons or links all over the place you can press, and they will always take you someplace. Film titles also serve as links in most of the film review pages, so that if you are reading the entry for Towed in a Hole and we happen to mention the film Hog Wild, you can link to that film automatically.  If you are reading a review and notice a film title that does NOT serve as a link to that film's page, please let us know.  For those of you who have java-enabled browsers, we have added a simple menu to the bottom of very page on our site (or so we think), so if you have come to an individual page through a search engine, you can still find your way around, or link to our fully-framed site.  If you ever get lost, look for a button on the page that says "Go Back One":

menuMain Menu
(the above buttons are illustrations, and will
not lead you anyplace if you click on them)

     These buttons, found ubiquitously on our site, usually near the bottom of the page, will take you back one page in whatever section you happen to be in.  Click these buttons enough and you will eventually reach an alternate Main Menu, at which point you have reached the outer edge of the site itself and cannot "go back" anymore. 

     We have tried to make sure every single page on this site (and there are currently over 200 separate pages) leads back to a previous page or menu. And we have also added a simple menu that should appear at the bottom of almost every page if your browser is Java-enabled.

     If any link happens to lead to a dead end, email us and let us know immediately and we will fix it. Fixer-Uppers, that's what we are.

     Anything that we have not described here, you will have to explore for yourself. And remember: Those not interested, do not answer.


Laurel and Hardy Central History

THE TEDIOUS HISTORY OF THIS PAGE

Revised December 2004

By John B.

     Okay... so there we both wuz, in a fox hole.  It was 1919.  I was headin' over the hill with the rest of the division, while John L.stayed behind to guard our post.  John L. sez to me, he sez, "If ya comes back, John B. we'll put a Laurel and Hardy website together, you and me, kid."   And I sez to him, I sez, " "Don't worry, John L. ---  I'll be back... we'll all be back!".  Then I rushed over the hill... cannons to the left of me... cannons to the right of me...

     If only it were that dramatic.

     Here's the real scoop, as I first wrote it many moons ago (with revisions here and there through the years):

     I first met John Larrabee online in 1995 or so, when he saw a post of mine in the Laurel and Hardy Internet Newsgroup and e-mailed me a message about the upcoming Marx Brothers Newsgroup. I answered him back by saying something like "I can't wait until it is up, so that I can reveal my theory as to why A NIGHT AT THE OPERA is a better movie than DUCK SOUP." A few days later I got another message from John L. inquiring as to what my theory was.

     Well, I was cornered, as I never actually developed a theory. I thought that on the Internet, protected by the fortress of anonymnity, you could say anything you wanted. But "Chicago John" would have none of that. So my reply was basically "It just is 'cause I say so". I guess he must have liked that answer, because he never stopped sending me e-mails and I never stopped replying.

     We met, as I said, in a newsgroup that discussed Laurel and Hardy, but in our electronic correspondence, we very rarely talked about "The Boys". We did talk comedy, of course. We spent weeks on Bob and Ray and decided they were probably the only other comedy team in history with the same eerie, God-given, Two Minds without a Single Thought chemistry as Stan and Ollie. And we talked music, and while he theorized on why John Lennon's songs became less universal after he left the Beatles, I tried to convince him that Bob Dylan's work in the eighties and nineties was as good, if not better, than his work in the sixties (even though, in my heart, I knew I was lying). He talked about Ann-Margret, I responded with Winona Ryder. At the time we created this page (Feb, 1998), we were also chatting about the movie TITANIC (John L's a a big boat buff), Woody Allen's life and art (love his art, not crazy about his life), and why Teri Hatcher is such a Superbabe. (We both love LOIS AND CLARK and "She just is 'cause I say so!" was my theory on Hatcher's Superbabeness.)

     But in the fall of 1997, in the middle of a typically warm and funny letter where we were (finally) discussing Laurel and Hardy, John L. wrote this:

"Now then, how about this: let's go through the L&H catalogue. The Roach sound films, anyway. What the hell, if we tackle about ten shorts per letter, we'll get through them all in five or six letters. I'll start with the first ten, you can offer your typically scintillating follow-up commentary, then you can do the next ten in your next letter, I'll comment on those and do the next ten, etc. etc. This will be fun, trust me..."
     We started with Unaccustomed as We Are (I liked it, he not so much) and we were off to the races, as they say. John soon realized, after the aforementioned five or six letters, that we had the beginnings of a nice web page, and that we should include the features and silent shorts in our discussions too.

     John L. was a teacher, and had a much better grasp of the nuances of the English language than did I (then I did? then did me?), so we mutually decided that he would do most of the writing as far as taking care of story capsules and background histories of the films.  I had taught myself how to create websites by running my own humor page, so we mutually decided I would design and code the site.  Things began to fall into place and we realized very quickly that, hey kids, we could put on the Show right here on the Internet!

     Once we had closed the book on every Laurel and Hardy film we had seen, which included all of the Roach talkies, all of the later films, and a goodly amount of the silents, John frantically worked on writing an entry on each film. He also took the comments he and I made about each film and edited them into a simulated dialogue meant to enlighten and possibly annoy fellow fans. Whenever he had finished ten or so films, he sent them to me, to turn into aesthetically pleasing, surfable HTML thingies.  Later on, when we had finally seen all the silents, we added more reviews.

     The result is LAUREL AND HARDY CENTRAL (HARD BOILED EGGS AND NUTS), written and developed by two deeply devoted (and slightly off-kilter) fans of Stan Laurel and Oliver Hardy.

     We update LHC periodically with new reviews, new or expanded sections or just breaking Laurel and Hardy news.  Or sometimes just a note letting the world know that we are still around and have not abandoned the page.

     If you feel any particular film has been neglected, or if you have any opinons pro or con about our page, you will drop us a line at lhcntrl@aol.com. We enjoy e-mail, especially if you attach Ann-Margret or Teri Hatcher pictures to them. (Pix of Jennifer Aniston and Neve Campbell are acceptable too. We're very flexible in these matters.)

     B.S. - You may be wondering by now what is the official name of this site. Is it LAUREL AND HARDY CENTRAL or HARD BOILED EGGS AND NUTS? The answer is simple: Neither do I too.

     B.S.S. - Some of our more recent correspondence (Winter/Spring 2005) included such diverse topics as Tom Hanks (again), Bugs Bunny and the Warner Directors, Jay Leno versus David Letterman, Mary Poppins versus The Wizard of Oz and, somewhere in there (as Kurt Vonnegut would say), a Jennifer Aniston reference in every letter.  Guaran-dam-teed or your money back.

     As always, we are putting both of our Doctor of Thinkology degrees to good use.

       --- John V. Brennan (alias John B.)

Copyright © John Larrabee, John V. Brennan 2004. All Rights Reserved.

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